THE BURFORD SINGERS

PRESS REVIEWS

"The evening began with the world premiere of Nettle & Markham’s arrangement of the William Tell Overture, which ….. allowed this vivid evocation of the Swiss Alps to shine through with exceptional clarity. This was a compelling performance…… (Petite Messe Solennelle) Both choir and soloists seized on the dramatic nature of the work with relish, delivering their parts with style and panache. The choir performed with their customary precision and polish; diction was clear throughout, entries were crisp and they made a lovely sound…..”
Nicola Lisle, Oxford Times, November 2011.

At the UK premiere of The Mission Chorales (Sir George Martin), ..”the singers and orchestra were clearly relishing both the music and the occasion, and under Brian Kay’s decisive baton gave a thoughtful and committed performance. Happily the composer was in the audience to take his share of the applause.”
“ ... the Mass in C by a teenage Schubert, .. imbued with all the melodic and rhythmic interest that are so much a feature of his later works. The four soloists.... were uniformly excellent..”
“Vivaldi’s evergreen Gloria ... was strongly delivered.. while ‘Quoniam tu solus sanctus’ and ‘Cum Sancto Spiritu’ formed a magnificent finale.”
Nicola Lisle The Oxford Times 28 June 2011

“The choir performed with its usual cheerful enthusiasm under the ever-reliable baton of Brian Kay…… some sparkling renditions of the four Coronation Anthems, performing with their usual technical assurance and sense of commitment… the look of joy on the singers’ faces as captivating as the quality of the sound. (Dixit Dominus) Again the choir impressed, with some good solid singing, clear diction and crisp entries….”
Nicola Lisle, Oxford Times 09/12/10

“The Burford Singers can always be relied upon to deliver the goods, and Sunday’s performance was probably the best I’ve heard from them yet. It helped that they had a particularly inspiring programme – Haydn’s glorious Te Deum…. and Beethoven’s Mass in C, with Mozart’s Clarinet Concerto sandwiched between…. The revelation of the evening was young clarinettist Anna Hashimoto ….. For physical dexterity, sensible phrasing, tonal warmth and sheer musicality this was a remarkable performance for someone so young…. “
Oxford Times 01/07/10.

“This performance (of Rutter’s Magnificat) did full justice to Rutter’s intentions, reflecting that spirit of “outdoor celebration” which was, Rutter says, “somewhere in my mind as I wrote”…. Both choir and orchestra clearly relished every note (of Fauré’s Requiem), while soprano Mary Bevan and baritone George Humphreys contributed some eloquent and moving solos, the soprano Pie Jesu being a particular highlight. Once again, the Burford Singers and the Cotswold Chamber Orchestra with conductor Brian Kay demonstrated a deep commitment that ensured a stirring experience for all.” Nicola Lisle, Oxford Times 01/04/10.

“Always an impressive choir, this performance found them in particularly sparkling form, their enjoyment plain to see, with careful attention given to phrasing and articulation, and a lovely full tone maintained throughout. Conductor Brian Kay ensured a well-paced and well-balanced performance that was uplifting and suitably reverential.….” Soloists: Martene Grimson, Richard Edgar-Wilson, Derek Welton. Nicola Lisle, Oxford Times 10/12/09 re Haydn’s Creation

"There was some gloriously measured singing from the choir, who poured their hearts and souls into the great choral numbers, filling Burford’s ancient church with thrilling, spine-tingling sounds. As for the soloists, there was musical wizardry at work here, with everything they touched turning to gold…." Nicola Lisle, Oxford Times 06/08/09, re Monteverdi Vespers Concert 28/06/09.

”This exemplary choir delivered an eloquent and polished performance (of Handel’s Messiah), notable for its clear, perfectly rounded entries, precise diction and carefully observed dynamics.” Oxford Times 9th April 2009

“The annual Advent concert … under the authoritative direction of Brian Kay, delightfully captured the seasonal spirit. The programme … was wonderfully varied in mood, ranging from Christmas jollity to thoughtful reflection and reverence…. As we were leaving, members of the choir were handing out chunks of figgy pudding, ensuring that we all went home full of seasonal cheer.” Nicola Lisle, Oxford Times December 2008

“For their customary Easter offering, the Burford Singers turned this year to Bach's St John Passion, imbuing this intensely dramatic work with a real sense of purpose and commitment. Brian Kay's inspired conducting ensured a thrilling and heartfelt performance, in which the contrasts in mood and dynamics were meticulously observed.....” (Soloists included Bibi Heal, Andrew Kennedy, Benedict Nelson, Catherine Griffiths, Daniel Auchincloss and Adam Green.) Nicola Lisle, Oxford Times, March 2008

“The Burford Singers' pre-Christmas extravaganza on Sunday was a particularly wonderful occasion, which – although not consisting of any Christmas music – nevertheless captured the festive spirit with some joyful and vibrant singing.” (Soloists included Elizabeth Watts, Catherine Hopper, Sean Clayton and William Berger.) Nicola Lisle, Oxford Times, November 2007

“A truly magnificent performance of Handel’s Judas Maccabeus……This…….oratorio makes great demands on its chorus, but the Burford Singers proved themselves more than equal to the task………….Under the ever-reliable direction of Brian Kay, they maintained a strong, resonant sound throughout, with crisp entries and endings and crystal clear diction……….This was a memorable performance, for the quality of the singing from both chorus and soloists, for the skilful and well-balanced contribution from the Cotswold Chamber Orchestra, and for the palpable enthusiasm and commitment from all concerned.” (Soloists included Bibi Heal, Frances Bourne, Andrew Staples, Quentin Hayes.) Nicola Lisle, Oxford Times, November 2006

“Under the direction of broadcaster Brian Kay, this enthusiastic group has flourished, and is surely one of the finest amateur choirs in the county. Everything about them impressed: the quality of the sound, the perfect diction, the close observance of dynamics, the crisp entries and meticulous endings. This was once a good choir: now it’s an exemplary one…..A fine crop of soloists added weight to the Charpentier and Purcell pieces.” (Soloists included James Bowman, Matthew Venner, Andrew Staples, Rebecca Outram, Robert Evans.) Nicola Lisle, Oxford Times, December 2004